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07720 652509
Call now
07720 652509
Call now
07720 652509
Call now
07720 652509
Over the years I have owned and operated many of the classic and current Steadicam systems. At present I have Archer and Flyer LE sleds, with a choice of arms and vests depending on the shoot. Both have been upgraded by my team to improve dynamic balance, power distribution, HD signal strength and versatility.
This is a superb medium weight Steadicam system, capable of smaller cameras like Sony PXW-Z280s, right up to broadcast cameras like PXW-750s, and even digital film heads like my Sony FX6, FX9, RED cameras, & even Arri Alexa Mini LF kits with big cine lenses!
The Archer has two 4K video lines, multiple power options, the superb Tiffen tilt head, and 1.5″ post & gimbal which are soon to be Steadicam Volt ready!
When it first arrived: Steadicam Archer SE HD, with Sony PXW-FS7, Sigma f1.8 lens, Chrosziel mattebox & Convergent Design Odyssey 7Q
monitor recorder.
Now – upgraded! Steadicam Flyer SE 4K with Arri Alexa Mini LF, Zeiss Superme lens, Arri wireless lens control, wireless video (on the back), Atomos Shogun 7 monitor & backup recorder.
Since buying the Archer sled, I became a bit frustrated by the fixed spar across the bottom, which did not have many power or video options, nor any real ability to adjust for proper dynamic balance. So I called my pal Steadi Seb J and we came up with a new junction box for the bottom of the sled which has 7 power outputs, three battery plates, two SDI lines (which will take 4K RAW from the camera) and a dual 15mm rail system to allow a lot of travel and adjustment for the monitor and pivoting battery hanger!
Gimbals were always going to be a popular alternative to Steadicam, so I jumped in and learned to operate at a high level.
However, there were always limitations, the electronic-ness of the stability, the weight on your arms and the restrictions on what accessories you could use with them.
So, I started experimenting with combining firstly a gimbal with a full rig Steadicam, which works rather like an Arri Trinity but without the payload capacity or precise control. I call this the Steadicam Hybrid setup.
Then I moved on to designing a bespoke bracket to mount the gimbal more directly to a Steadicam arm. I call this my Steadigimbal bracket – and if you’d like one they are for sale!
Over the years I have owned and operated many of the classic and current Steadicam systems. At present I have Archer and Flyer LE sleds, with a choice of arms and vests depending on the shoot. Both have been upgraded by my team to improve dynamic balance, power distribution, HD signal strength and versatility.
This is a superb medium weight Steadicam system, capable of smaller cameras like Sony PXW-Z280s, right up to broadcast cameras like PXW-750s, and even digital film heads like my Sony FX6, FX9, RED cameras, & even Arri Alexa Mini LF kits with big cine lenses!
The Archer has two HD video lines, multiple power options, the superb Tiffen tilt head, and 1.5″ post & gimbal which are soon to be Steadicam Volt ready!
When it first arrived: Steadicam Archer SE HD, with Sony PXW-FS7, Sigma f1.8 lens, Chrosziel mattebox & Convergent Design Odyssey 7Q
monitor recorder.
Now – upgraded! Steadicam Flyer SE 4K with Arri Alexa Mini LF, Zeiss Superme lens, Arri wireless lens control, wireless video (on the back), Atomos Shogun 7 monitor & backup recorder.
Since buying the Archer sled, I was a little disappointed by the fixed spar across the bottom, which did not have many power or video options, nor any real ability to adjust for dynamic balance. So I called my pal Steadi Seb J and we came up with a new junction box for the bottom of the sled which has 7 power outputs, three battery plates, two SDI lines (which will take 4K RAW from the camera) and a dual 15mm rail system to allow a lot of travel and adjustment for the monitor and pivoting battery hanger!
